The rare unity they attained with their third album in 1988, "A Face We All Know", makes it their most powerful release to date and is considered their masterpiece (its theme is about the collapse of the Berlin Wall).Mostly improvised (except for a few lyrics they kept on hand for inspiration), their material consists of sampled mayhem, free jazz, industrial noise, declaimed vocals (Christoph Ander's vocals are truly an acquired taste), newsreel clips and the likes.Plus, the album page (but not the band page) for Gentle Giant's "Octopus."Cassiber would use samplers and electronics even more prominently.Gangelangen or the title track).This is a strange album ...Let me quote Kevin Gilbert: "Fuck 'em all, this is art".The result was a double LP Man or Monkey, which was well received in Germany and led to an invitation to perform at the 1982 Frankfurt Jazz Festival.Their live performances generally consisted of new pieces invented in real time, plus pieces from their albums played spontaneously without having learnt or rehearsed them.In their last year they invited guests to perform with them, including Hannes Bauer and Dietmar Diesner.As a quartet, Cassiber recorded two albums, Man or Monkey (1982) and Beauty and the Beast (1984).The album recorded Shinoda's last performance (he died soon after Cassiber left Japan) and Cassiber's penultimate performance as a group.The material by Yoshihide was Ground Zero's valedictory project.Chris Cutler's home page.Chris Cutler's home page.International Festival Musique Actuelle Victoriaville.This was the way it was.It was 2 'O clock in the morning.It was 2 'O clock in the morning.Time gets faster as we get better at it.Now I keep awake with pills and injections because....After the dark, the light.The Sultan of Swing sails to Philadelphia!Todo Dia (3:12) Come On!Your search did not match any products.Use fewer keywords to find more results....